![]() ![]() ![]() High school and younger trumpeters should be playing only one mouthpiece as described above unless the trumpeter is very strong, and the private instructor feels a different mouthpiece might be more suitable for jazz or marching band. For example, the Schilke 14A4A should be avoided. If a trumpeter does not advance beyond a 7C during high school, so be it.ĭo not succumb to the temptation of switching your trumpet players to smaller mouthpieces in order to gain more range. With patient, gradual practice, the student should eventually sound even stronger than before.ĭo not move students to a particular mouthpiece size by age. The student may regress at first when using a larger mouthpiece regarding range and endurance. (Progression concept borrowed from Michael Huff, ). Any subsequent changes should be made with a private instructor. Once on the 3C, the student can remain here throughout high school. The student can move from a 7C straight to a 3C if they meet these criteria. When the student can play from low F# to high C and is practicing 45 minutes/day, the student is ready to move to a 3C. When the student can play from low C to top-of-the-staff G with good tone and is practicing 30 minutes/day, the student is ready to move to a 5C. As you progress through the alphabet, the cup gets shallower. With Bach mouthpieces, as the number decreases, the size of the mouthpiece increases, specifically the cup diameter. Trumpet players should start on a Bach 7C. ![]()
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